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Fatwood

Fatwood

a collaborative campus in chapel hill - carrbo

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About FATWOOD


A collaborative workspace for independent media, art and design, FATWOOD hopes to cultivate a space for both making things, and for making things happen.

Founded in 2021 by Christopher Allen who spent his teenage years instigating events at The ArtsCenter in Carrboro and then his adulthood in Brooklyn growing UnionDocs from grassroots, the mission of FATWOOD is to support multi-disciplinary co-creation, craft and community on the local level, while inviting international inspiration and input.

The property has a mix of commercial and residential structures, with a camp-like feel. The studios now available are just the beginning. As FATWOOD develops over the next few years, we hope to make the entire lot resonate with creative, playful spaces.

fat·​wood | \ ˈfat-ˌwu̇d  \
chiefly Southern
:wood used for kindling, especially coniferous wood abounding in pitch


FATWOOD

fatwood.nc

✨🛸 Cosmic Rays Film Festival is back THIS WEE ✨🛸 Cosmic Rays Film Festival is back THIS WEEK @chelseatheaternc | March 20–22! 🛸✨

We are so glad to be back supporting this singular festival — a platform that has quietly and persistently carved out something rare: a home for personal, experimental, and essayistic film that asks what cinema can actually be. 

Founded and directed by the visionary Sabine Gruffat [@mi55hi55] and Bill Brown [@billbrown4666], this year’s program brings together more than 30 formally inventive short films across 4 dynamic programs — many with filmmakers joining in person.

Plus we are bringing back: 

🌌🌾 FIELD STUDIES — this Saturday — a full afternoon at Fatwood with three artists from the festival: Nicky Tavares, Linda Scobie, and Magdalena Bermudez, each offering a deeper look at their practice, process, and the ideas behind their work. Presented in partnership with [ @uniondocs ], doors open at 10:30am. 

Free and open to all — link in bio to RSVP.

Then step aboard the [@cinebus.nc] for Charlotte Taylor’s installation, grab some BBQ, and head back to the Chelsea for closing night.

Passes and tickets at the link. Come through to expand your mind 👁️💫🛸👁️💫👁️
We’re closing out the year by gathering around t We’re closing out the year by gathering around the home as stage, ritual, and refuge 🌒

Tomorrow, Dec 14, join us @chelseatheaternc for Dani & Sheilah ReStack’s Feral Domestic Trilogy — three tender, mythic, deeply embodied films tracing queer desire, devotion, rupture, and family-making. This night is presented in partnership with The Chelsea Theater and @cosmicraysfilmfest 

Made between 2017–2021, these works blur art and everyday life, offering a radical vision of intimacy in a world under pressure.

We’ll also catch a sneak peek of a new short they are developing while here Stovepipe to the Sun that combines research into a 19th century separatist women’s community in Belton, Texas and speculative filmmaking, as the filmmakers cast themselves and their friends as the present-day descendants. 

“Being collaborators is like being life partners—full of compromise, and difficulty, and beauty. I think both of us see our collaboration as a domain that is somehow sacred; it allows us to recharge and feel committed to what we are together. The work we make is about the domestic, and I want to honor that as a site of creation and resistance; but I also don’t want to deny how difficult day to day life can be, and how it can be hard to see things other than as a long list of chores to be checked off. Artistic collaboration is our jumpcut to something else.” – Sheilah ReStack, Bomb Magazine

“To live a feral domestic life is an aspiration, a refusal to be domesticated by capitalism. It’s an idea of the home being a generative place rather than simply a place of respite. Let’s sing at the top of our lungs while doing dishes! Let’s chase each other and roar like lions in the dining room! Of course we have to make dentist appointments, get the car fixed, and pay taxes; but we are refusing to let capitalism infuse us with fear.” – Dani ReStack, Bomb Magazine

Join us and Dani & Sheilah for their embodied, bold, and feeling films and for a chance to meet the artists for a conversation following the program.

✨ Artists in attendance
🎞️ Sneak peek of a new speculative short
🎟️ Link in bio
✨ SAVE THE DATE — Sunday, Dec 14 ✨ We’re ✨ SAVE THE DATE — Sunday, Dec 14 ✨

We’re ecstatic to join hands with the @chelseatheaternc and pals @cosmicraysfilmfest to co-present a very special night and our last event of year! 

Dani & Sheilah ReStack: The Feral Domestic Trilogy
 
📍 The Chelsea Theater 
⏰ Sunday Dec. 14, 7:00 PM
🔗more info and full program at the link in bio

Mark your calendars for a rare, in-person screening with artist duo Dani & Sheilah ReStack, whose collaborative practice pushes the boundary between art and everyday life and who we are excited to host for a little end of year retreat over at FATWOOD. 

Across three films created between 2017–2021, the ReStacks entwine performance, fantasy, desire, tenderness, conflict, and ritual — transforming their shared home into both stage and collaborator.

╔══════════════════╗
      FROM THE ARTISTS
╚══════════════════╝
❝ Being collaborators is like being life partners—full of compromise, and difficulty, and beauty. I think both of us see our collaboration as a domain that is somehow sacred; it allows us to recharge and feel committed to what we are together. The work we make is about the domestic, and I want to honor that as a site of creation and resistance; but I also don’t want to deny how difficult day to day life can be… Artistic collaboration is our jumpcut to something else. ❞
 — @sheilah.restack , @bombmag 

❝ To live a feral domestic life is an aspiration, a refusal to be domesticated by capitalism. It’s an idea of the home being a generative place rather than simply a place of respite… Of course we have to make dentist appointments, get the car fixed, and pay taxes; but we are refusing to let capitalism infuse us with fear. ❞
 — @danirestack, @bombmag 

Join us and Dani & Sheilah for their embodied, bold, and feeling films, and stay for a post-screening conversation with the artists!

See you there!
Join us at FATWOOD this Saturday, May 17, a mind-b Join us at FATWOOD this Saturday, May 17, a mind-bending double-header of live-cinema reverberations and turbulent projection, resonant worlds and hallucinatory visions alchemized by GOVERNANCE & MSHR.
Experience the mesmerizing performance NETWORK ENTITY by MSHR (Brenna Murphy & Birch Cooper), where sculptural and sonic elements intertwine through real-time improvisation using custom interfaces and open-source tools.
Plus a rare in-person set by GOVERNANCE (Quran Karriem & Rebecca Uliasz), an experimental audio-visual noise project that challenges the conventions of knowledge production through performative interventions and multimedia publications.

📍 Location: Fatwood, 2300 Ivey Rd, Chapel Hill, NC (rural Carrboro side)
 🕢 Time: May 17, Doors 7:30 PM; Show 8:00 PM
 🎟️ Suggested Donation: $15
 🚗 Note: Limited parking; carpooling encouraged - RSVP!

Stick around after the performances for an informal hangout and connect with fellow enthusiasts.
Don’t miss this dynamic and immersive night where expanded signals, improvisation across noisy circuitry and cybernetic composition coalesce. Experience the forefront of experimental art in an intimate setting.
#MSHR #GOVERNANCE #LivePerformance #AudioVisualArt #durham #noise #carrboroevents #FatwoodStudio
✨Studio Space Available at Fatwood!✨ We’ve ✨Studio Space Available at Fatwood!✨

We’ve got a rare opening in THE ANNEX — our sweet, sun-powered private studio building at Fatwood. It’s a dreamy setup for artists, designers, and anyone looking for a space to make things happen.

What’s inside:
 — Two large private studios (~250 sqft each)
 — A walk-through common space or reception area
 — Private bathroom with a shower!
 — Storage closet with built-in shelving
 — Gorgeous reclaimed heart of pine floors from a local tobacco factory
 — Fast WiFi + hardwired ethernet
 — Central air, tons of outlets, covered porch, parking, 24/7 access
 — ALL utilities included
 — And yep — we’re now SOLAR POWERED ☀️⚡

We’ve been building this collaborative space for the past 3 years and are excited to welcome a new creative addition to the community. 

DM us to schedule a tour or for more info! Or click through the link in bio to schedule on our site. 

 #artstudio #mediamakerspace #officespaceforrent #artiststudio #ncartists #creativeworkspace #fatwoodstudios #chapelhill #carrboro #durhamnc
Next Thursday at 6:30pm @goodfolksonly will be bac Next Thursday at 6:30pm @goodfolksonly will be back at FATWOOD for our second iteration of
LANDMARKS, a live music series in partnership with @wxyc893 

Our second guest of the series is Joseph O’Connell of Elephant Micah, a folklorist and songwriter based here in the Triangle. Joe will be in conversation with @spencerggeorge of Good Folk for a live podcast taping where we will dig deeper into contemporary folklore and the folk music community here in North Carolina!

Tickets are donation-based (though no one will be turned away for lack of funds !).
Correction! *Sat 22! Excited to be co-presenting Correction! *Sat 22!

Excited to be co-presenting our first ever 🌾🌌 FIELD STUDIES 🌌🌾 in partnership with @cosmicraysfilmfest 

Passholders, practitioners, and enthusiasts alike, join us for an afternoon in between festival programs here at FATWOOD Studios— it’s a chance for in-depth presentation from two of the artists featured at this year’s Cosmic Rays Film Festival on Saturday March 22nd*** 

From 2-5pm, we’ll host two sessions on artist practice and the world of experimental film: one with A.S.M Kobayashi [ @asmkobayashi ] and another with Rebecca Barten / David Sherman [  @david.sherman.560 ]from the legendary Total Mobile Home Microcinema, offering a chance to get to know the artist’s work in greater depth, explore the context, intentions and methodologies a bit more and have a conversation about making.

……

First up at 2PM, A.S.M Kobayashi, an award-winning interdisciplinary artist whose hybrid, interactive work mixes documentary and fiction through video, performance, installation and illustration will share a bit about her extensive research process and experience working with found material and bringing hidden narratives to life. She will discuss her film FILE NO. 2304 featured in Festival Program 1, and also will share her earlier video work alongside a short excerpt of her critically acclaimed performance, Say Something Bunny!, which is based on found audio recordings, and was heralded as “The best new theater experience in town” by Vogue in 2017.

Then at 3:45PM, Rebecca Barten, whose film is featured in Program 5, will be joined by her longtime partner and collaborator David Sherman to share how the microcinema as we know it today began (and was named by them in 1994!), when these filmmakers and “accidental neologists,” started operating the legendary Total Mobile Home microCINEMA illegally out of the basement of their rented San Francisco apartment. 

Come through for an afternoon that hopes to take that possibility and intention to heart, and learn a bit more about this legacy that has allowed the kinds of films that Cosmic Rays’ celebrates to continue to thrive, transform and activate audiences big and small

✨✨✨
✨ 🛸 Cosmic Rays Film Festival is back next we ✨ 🛸 Cosmic Rays Film Festival is back next week @chelseatheaternc | March 21-23! 🛸✨

We couldn’t be happier to be back again to support this remarkable festival that has carved out a special platform for personal, experimental and essayistic films from around the world that celebrate and expand our ideas of what a film is and what it can be. 

Join us for 5 dynamic programs organized by the extraordinary founders and directors Sabine Gruffat [ @mi55hi55 ] and Bill Brown [ @billbrown4666 ] 

They offer a plethora of engagement and inspiration with more than 30 formally inventive short films to dazzle us all with many filmmakers joining in person. 

We’ll be hosting Friday night’s late night after party for all passholders  with the infamous @rogerwarrenbeebe karaoke 🎤 @ FATWOOD

And then, Saturday afternoon a last minute experimental addition to complement the program, an afternoon workshop hosted with @uniondocs called 🌌🌾 FIELD STUDIES with three of the guest artists of the festival sharing a bit on their practice, ideas and history from 2- 5pm.
Happy New Year! We are delighted to be entering 2 Happy New Year!

We are delighted to be entering 2025 with some sweet memories, sunny accomplishments and a lot of energy to bring into the New Year. A little recap of some of our favorite moments here and a shoutout that we have two studios available for 2025. Check ‘em out and give us a shout if you’re interested.

We planted seeds for a greener future in 2025 by building our new solar structure and bringing in 70 solar panels to power the whole property. We made some improvements to the common spaces and welcomed new community members too. Some exciting partnerships with @goodfolksonly, @wxyc893 and @cosmicraysfilmfest on events, and we hosted both local talented artists and from across the country too.

Thanks everyone for being a part of things here. It is still early days and the progress is a bit slow but steady.  In 2025, we will open the renovated back house, and keep things rolling, continue the partnerships we’ve started and kick off new collaborations locally too. 

Cheers to a bright new year and to all the memories made together so far!

Your Friends at Fatwood

🌱🌱☀️🌱🌱
@billbrown4666 
@mi55hi55 
@cosmicraysfilmfest 
@lydiagreer_studio 
@madbrookshire 
@piganklestrut 
@thesmythbrothers 
@bsmittles 
@cosmicraysfilmfest 
@wxyc893 
@goodfolksonly
@spencerggeorge
@brennan_ok 
@victoria__landers 
@johngarlandwinn 
@uniondocs 
@jenny_c_miller 
@seewhatness
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About UNIONDOCS


UnionDocs Center for Documentary Art (UNDO) presents, produces, publishes, and educates. We bring together a diverse community of activist artists, experimental media-makers, dedicated journalists, big thinkers, and local partners on a search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future.

Each year, we organize over 100 public events and distribute 8 online programs, showcasing powerful works of nonfiction and curating rigorous conversation; we design 28 workshops on the most quickly evolving disciplines and strongest traditions of documentary; we host 36 artists in collaborative laboratory environments to develop original projects; we pair 4 of the top experimental documentary artists with 4 top critical writers in a fellowship to research a big thorny question.

UnionDocs enthusiastically pursues this work because we believe that documentary art, when paired with thoughtful context and open debate, is an invaluable tool for understanding the complexities of contemporary life and creating a more compassionate, engaged, and integrated society.


UnionDocs

uniondocs

FRI, MAY 8 — 7:30PM

𝗪𝗘’𝗥𝗘 𝗦𝗜𝗖𝗞 𝗧𝗢 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗛𝗜𝗦 𝗡𝗢𝗡𝗦𝗘𝗡𝗦𝗘 returns with: SAFFRON TIME.

Our shape-shifting multimedia series curated by poet 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗻𝗲 𝗟𝗮𝗿𝘂𝘀𝘀𝗼 [ @______kiki___________ ] and writer/curator 𝗥𝗮𝗰𝗵𝗮𝗲𝗹 𝗥𝗮𝗸𝗲𝘀 [ @rachaelrakes ] merges live performance, reading, sound, and moving image — not quite a reading, not quite performance, not ekphrasis. WS2DOATN is a porous encounter between words, images, and whatever slips through.

This month, we’ll be thinking about: SAFFRON TIME, seasons folding into one another, tears that don’t dry, flowers blooming before they can live, and the strange work of continuing together.

Featuring:
— Readings by 𝗝𝗵𝗮𝗻𝗶 𝗥𝗮𝗻𝗱𝗵𝗮𝘄𝗮 [ qjhanip ] & 𝗦𝗮𝗺𝗽𝘀𝗼𝗻 𝗦𝘁𝗮𝗿𝗸𝘄𝗲𝗮𝘁𝗵𝗲𝗿 [ @sampsonstarkweather ]
— A screening of 𝘛𝘏𝘌 𝘎𝘈𝘙𝘋𝘌𝘕 𝘈𝘔𝘐𝘋𝘚𝘛 𝘛𝘏𝘌 𝘍𝘓𝘈𝘔𝘌 by 𝗡𝗮𝘁𝗮𝘀𝗵𝗮 𝗧𝗼𝗻𝘁𝗲𝘆 [ @krazykosmickid ]
— Vocal performance by 𝗔𝗺𝗶𝗿𝘁𝗵𝗮 𝗞𝗶𝗱𝗮𝗺𝗯𝗶 [ @kidominator ]

Each edition begins with a phrase and unfolds through fragments, performances, and images — loosely structured, collectively shaped, and resistant to resolution.

Come through! 𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢
📣 𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗙𝗘𝗘𝗗: 𝗘𝗫𝗣𝗔𝗡𝗗𝗜𝗡𝗚 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗢𝗙 𝗔𝗨𝗗𝗜𝗢 𝗡𝗢𝗡-𝗙𝗜𝗖𝗧𝗜𝗢𝗡

𝗠𝗔𝗬 𝟭𝟱–𝟭𝟳 — Join us for a 3-day workshop with award-winning podcast producer and documentary artist 𝗠𝗶𝘁𝗿𝗮 𝗞𝗮𝗯𝗼𝗹𝗶 exploring what comes next for audio storytelling.

Sound leaks, echoes, overlaps, and surrounds us. It can be staged, performed, walked through, and shared. Inherently spatial, collaborative, and shape-shifting, sound offers possibilities far beyond traditional podcast forms. As the podcasting landscape shifts, how can we treat this moment as a creative opening?

Through guided exercises, artist talks, and deep listening sessions, participants will:
— Explore formats beyond podcasts, including performance + installation
— Rethink research, structure, and sonic storytelling
— Consider alternative ways to present and distribute audio

Mitra will be joined by an inspiring group of artists:
— 𝗔𝗮𝗿𝗼𝗻 𝗘𝗱𝘄𝗮𝗿𝗱𝘀 [ @aaronmedwards ] on multi-modal performance + field recording
— 𝗩𝗶𝘃 𝗖𝗼𝗿𝗿𝗶𝗻𝗴𝗵𝗮𝗺 [ @vivcorringham ] on soundwalks, listening, and place
— 𝗚𝗲𝗹𝘀𝗲𝘆 𝗕𝗲𝗹𝗹 [ @gelseybell ] on the expressive possibilities of the voice

Whether you’re a podcaster looking to expand your form, a sound artist exploring documentary, or simply curious about working with audio in new ways, this workshop offers a space to experiment, reflect, and push your practice forward.

Seats are limited. 𝗘𝗔𝗥𝗟𝗬 𝗕𝗜𝗥𝗗 ends 𝗠𝗔𝗬 𝟱 — get $55 off.

𝗚𝗥𝗔𝗕 𝗬𝗢𝗨𝗥 𝗦𝗘𝗔𝗧 🔗 𝗜𝗡 𝗕𝗜𝗢 🎧
𝗧𝗛𝗨𝗥𝗦, 𝗔𝗣𝗥 𝟯𝟬 — 𝟳:𝟯𝟬𝗣𝗠
𝗧𝗛𝗜𝗦 𝗚𝗜𝗥𝗟’𝗦 𝗡𝗘𝗥𝗩𝗬: 𝗙𝗜𝗟𝗠𝗦 𝗕𝗬 𝗝𝗘𝗡𝗡𝗜𝗙𝗘𝗥 𝗥𝗘𝗘𝗩𝗘𝗦

We’re delighted to present a special evening dedicated to 𝗝𝗲𝗻𝗻𝗶𝗳𝗲𝗿 𝗥𝗲𝗲𝘃𝗲𝘀’ [ @jenniferreevesfilm ] fiercely tactile, deeply personal cinema!

Released in December 2025, the long-awaited Blu-ray 𝘞𝘏𝘌𝘕 𝘐𝘛 𝘞𝘈𝘚 𝘉𝘓𝘜𝘌: 𝘑𝘌𝘕𝘕𝘐𝘍𝘌𝘙 𝘙𝘌𝘌𝘝𝘌𝘚 𝘚𝘌𝘓𝘌𝘊𝘛𝘌𝘋 𝘞𝘖𝘙𝘒𝘚 1992–2022 arrived as a vital gathering of Reeves’ singular body of work, and we’re honored to mark the occasion with a program of shorts spanning her practice, moving across decades, formats, and states of transformation.

This program moves across formats and states of transformation,  presented in a rare hybrid screening with films shown both on 16mm and digitally, reflecting the very material conditions that shape Reeves’ practice.

Working primarily in 16mm, Reeves treats filmmaking as an alchemical process: scratching, bleaching, staining, and reshaping the image into something visceral and alive. Her films pulse with emotional immediacy, tracing interior landscapes shaped by memory, perception, and the body. Themes of mental health, feminism, and ecological precarity emerge as felt experiences rather than fixed subjects.

Featuring works from 1992–2022 including 𝘛𝘏𝘌 𝘎𝘐𝘙𝘓’𝘚 𝘕𝘌𝘙𝘝𝘠, 𝘍𝘌𝘈𝘙 𝘖𝘍 𝘉𝘓𝘜𝘚𝘏𝘐𝘕𝘎, 𝘓𝘈𝘕𝘋𝘍𝘐𝘓𝘓 16, 𝘗𝘐𝘎𝘔𝘌𝘕𝘛-𝘋𝘐𝘚𝘗𝘌𝘙𝘚𝘐𝘖𝘕 𝘚𝘠𝘕𝘋𝘙𝘖𝘔𝘌, and more.

Join us for this special screening and a conversation with 𝗝𝗲𝗻𝗻𝗶𝗳𝗲𝗿 𝗥𝗲𝗲𝘃𝗲𝘀 following the program.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢
📣 𝗗𝗢𝗖 𝗙𝗨𝗡𝗗𝗔𝗠𝗘𝗡 📣 𝗗𝗢𝗖 𝗙𝗨𝗡𝗗𝗔𝗠𝗘𝗡𝗧𝗔𝗟𝗦 is back! 

𝗝𝗨𝗡 𝟱–𝟳, join us for our annual professional development intensive for documentary filmmakers — this year led by 𝗞𝗲𝗹𝗹𝘆 𝗔𝗻𝗱𝗲𝗿𝘀𝗼𝗻 [ @kellybklyn ] and 𝗝𝗮𝘆 𝗔𝗿𝘁𝗵𝘂𝗿 𝗦𝘁𝗲𝗿𝗿𝗲𝗻𝗯𝗲𝗿𝗴, co-directors of 𝗘𝗠𝗘𝗥𝗚𝗘𝗡𝗧 𝗖𝗜𝗧𝗬 and produced with the incredible folks @meerkatmedia !

Built around their observational feature, hailed as “the best New York City-based documentary in a decade” in @hellgateny, this year’s series traces the film’s full journey from development to distribution.

SWIPE through to see what’s on offer over the weekend and learn more about this incredible film and the team — 𝗕𝗿𝗲𝗻𝗱𝗮 À𝘃𝗶𝗹𝗮-𝗛𝗮𝗻𝗻𝗮, 𝗦𝘁𝗲𝗽𝗵𝗲𝗻 𝗠𝗮𝗶𝗻𝗴 [ @mainmaing ], 𝗦𝗲𝗮𝗻 𝗛𝗮𝗻𝗹𝗲𝘆[ @seen.hanley ], 𝗕𝗲𝘁𝘁𝘆 𝗬𝘂[ @bettyyu21 ] and 𝗔𝗹𝗲𝘅 𝗠𝗮𝗹𝗹𝗶𝘀 [ @decimalplace ], 𝗚𝗶𝘀𝗲𝗹𝗮 𝗙𝘂𝗹𝗹à-𝗦𝗶𝗹𝘃𝗲𝘀𝘁𝗿𝗲[ @noiagisela ] & 𝗭𝗮𝗿𝗮 𝗦𝗲𝗿𝗮𝗯𝗶𝗮𝗻-𝗔𝗿𝘁𝗵𝘂𝗿, 𝗦𝘆𝗹𝘃𝗶𝗮 𝗦𝗮𝘃𝗮𝗱𝗷𝗶𝗮𝗻 [ @year_without_fear ] & 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗮𝗹𝘆𝗲𝗿!

Emergent City is an observational civic epic. It sheds light on power and process, illuminating systems and giving viewers a front row seat to the public and private spaces where the city is shaped. With extraordinary access, it tracks an ensemble of participants including the local council member, Industry City’s developers and community members with divergent stakes.

Each session features collaborators and award-winning professionals who helped bring the film to life, offering practical, real-world insights for filmmakers at any stage.

Whether you’re developing your first feature or rethinking your next one, Doc Fundamentals is designed to give you the nuts-and-bolts tools to move forward in today’s evolving documentary landscape.

Attend the full series with a SERIES PASS or drop into individual sessions.

𝗚𝗥𝗔𝗕 𝗬𝗢𝗨𝗥 𝗦𝗘𝗔𝗧 🔗 𝗜𝗡 𝗕𝗜𝗢 🎬
This 𝗦𝗨𝗡𝗗𝗔𝗬, 𝗔𝗣𝗥 𝟮𝟲 — 𝟳:𝟬𝟬𝗣𝗠

𝘖𝘕𝘌 𝘛𝘏𝘖𝘜𝘚𝘈𝘕𝘋 𝘈𝘕𝘋 𝘖𝘕𝘌 𝘑𝘖𝘜𝘙𝘕𝘌𝘠𝘚
Co-presented with @arteeast

We’re delighted to partner with ArteEast for a special program tracing the layered histories of Arab-American migration across the United States. From establishing the enclave of Little Syria, to settling in various states across the country, the films show us how early Arab immigrants shaped the landscape of now thriving communities in major cities. Through documentaries from a variety of perspectives and locales, this program explores the stories, contributions, and ongoing realities of Arab-Americans, painting a rich portrait of the diversity of Arab identity and how it continues to shape contemporary cultural life in America.

Featuring:
— 𝘉𝘌𝘐𝘙𝘜𝘛 𝘖𝘕 𝘛𝘏𝘌 𝘉𝘈𝘠𝘖𝘜 (2022) by Brent Joseph [ @jbrentjoseph ], following a grandson retracing his family’s journey through Louisiana’s Cajun communities

— 𝘈 𝘛𝘏𝘖𝘜𝘚𝘈𝘕𝘋 𝘈𝘕𝘋 𝘖𝘕𝘌 𝘑𝘖𝘜𝘙𝘕𝘌𝘠𝘚: 𝘛𝘏𝘌 𝘈𝘙𝘈𝘉 𝘈𝘔𝘌𝘙𝘐𝘊𝘈𝘕𝘚 (2015) by Abe Kasbo [ @akasbo11 ], a sweeping historical portrait of early Arab-American communities

The films will be followed by a talk on the history of Little Syria in lower Manhattan with Linda Jacobs [ @ljacobs78 ] scholar & author of Strangers in the West: The Syrian Colony of New York City, 1880-1900.

This event is part of ArteEast’s 𝘜𝘕𝘗𝘈𝘊𝘒𝘐𝘕𝘎 𝘛𝘏𝘌 𝘈𝘙𝘛𝘌𝘈𝘙𝘊𝘏𝘐𝘝𝘌 series, highlighting curated selections from the ArteArchive in dialogue with contemporary voices. The full program — including additional films and a recorded conversation with filmmaker Abe Kasbo — will be presented online at artearchive.org from 𝗔𝗣𝗥 𝟮𝟯 — 𝗠𝗔𝗬 𝟯.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Come through!
This SAT, APR 25 — 7:30PM
𝗠𝗨𝗦𝗖𝗟𝗘 𝗕𝗘𝗔𝗖𝗛

We’re thrilled to host the New York premiere of 𝘔𝘜𝘚𝘊𝘓𝘌 𝘉𝘌𝘈𝘊𝘏 [ @musclebeachthemovie ], a lyrical, kinetic, and darkly comic journey into the heart of the American weird from filmmaker 𝗝𝗮𝗰𝗼𝗯 𝗛𝘂𝗿𝘄𝗶𝘁𝘇-𝗚𝗼𝗼𝗱𝗺𝗮𝗻 [ @h.g.jacob ]!

Moving between documentary and neo-noir fiction, the film follows weightlifting influencer Ike Catcher as a fictionalized version of himself — a bodybuilder searching Venice Beach for his missing best friend. Over the course of a single day, he’s pulled into a paranoid odyssey of tainted supplements, supernatural conspiracies, and naked greed, set against the sun-bleached spectacle of the last true American carnival.

Starring 𝗟𝗶𝗻𝗱𝘀𝗲𝘆 𝗡𝗼𝗿𝗺𝗶𝗻𝗴𝘁𝗼𝗻 [ @lindsey.bug ] (𝘈𝘯𝘰𝘳𝘢, 𝘏𝘢𝘤𝘬𝘴, 𝘛𝘩𝘦 𝘐𝘥𝘰𝘭), “King of Muscle Beach”𝗜𝗸𝗲 𝗖𝗮𝘁𝗰𝗵𝗲𝗿 [ @ikecatcher ], and cult icon 𝗞𝗶𝗿𝗸 𝗕𝗮𝗹𝘁𝘇 (𝘙𝘦𝘴𝘦𝘳𝘷𝘰𝘪𝘳 𝘋𝘰𝘨𝘴), 𝘔𝘜𝘚𝘊𝘓𝘌 𝘉𝘌𝘈𝘊𝘏 blends absurdity, satire, and existential dread into a surreal portrait of ambition, masculinity, and mythmaking.

The evening also includes Hurwitz-Goodman’s short documentary 𝘛𝘏𝘌 𝘋𝘌𝘍𝘌𝘕𝘋𝘌𝘙𝘚 𝘖𝘍 𝘔𝘜𝘚𝘊𝘓𝘌 𝘉𝘌𝘈𝘊𝘏 (2016), offering a glimpse into the legendary beachfront gym and its history, from Depression-era acrobats to bodybuilding folklore. Join us for the screening and a conversation with Jacob Hurwitz-Goodman and artist and writer 𝗝𝗼𝘀𝗵𝘂𝗮 𝗖𝗶𝘁𝗮𝗿𝗲𝗹𝗹𝗮 [ @joshuacitarella ] following the film.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢
🎧 𝗔𝗨𝗗𝗜𝗢 & 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘 𝗟𝗔𝗕 — 𝗔𝗣𝗣𝗟𝗜𝗖𝗔𝗧𝗜𝗢𝗡𝗦 𝗢𝗣𝗘𝗡

UnionDocs is thrilled to launch the next iteration of the 𝗔𝗨𝗗𝗜𝗢 & 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘 𝗟𝗔𝗕 — a 3-month exploratory program where a cohort of sound-based artists collaboratively develops an original collection of audio-first performance works for a live audience.

Expanding beyond the confines of your headphones, APL engages sound in shared physical space, inviting 12 artists working across sound design, oral history, music, audio documentary, field recording, theater, improv, experimental spatial audio, and more to collectively conceive, produce, and stage a slate of bold new pieces.

From September through December, participants will work together to create 6–8 sound-focused performances, guided by interdisciplinary director, the brilliant 𝗔𝗮𝗿𝗼𝗻 𝗘𝗱𝘄𝗮𝗿𝗱𝘀 [ @aaronmedwards ] alongside a slate of visiting artists, technical mentorship, and a crew of fellow practitioners. The lab culminates in a series of live public performances in December.

Through weekly meetings, collaborative production teams, shared source material, and a rigorous staging process, APL offers space to experiment, rehearse, and build a collective audio-driven performance from the ground up.

If your practice engages sound, voice, performance, or listening, this lab could be for you! Join our 𝗜𝗡𝗙𝗢 𝗦𝗘𝗦𝗦𝗜𝗢𝗡 𝗼𝗻 𝗠𝗔𝗬 𝟭 𝗮𝘁 𝟭𝟭𝗔𝗠 𝗘𝗦𝗧, 🔗 𝗜𝗡 𝗕𝗜𝗢!

𝗔𝗣𝗣𝗟𝗬 𝗡𝗢𝗪 — 🔗 𝗜𝗡 𝗕𝗜𝗢
𝗧𝗛𝗨𝗥𝗦, 𝗠𝗔𝗬 𝟳 — 𝟳:𝟯𝟬𝗣𝗠

We’re thrilled to co-present a special screening of 𝘕𝘌𝘞 𝘒𝘐𝘕𝘎𝘚𝘛𝘖𝘕 with @rockawayfilmfest, the filmmaking debut of artist 𝗞𝗲𝘃𝗶𝗻 𝗕𝗲𝘄𝗲𝗿𝘀𝗱𝗼𝗿𝗳, followed by a conversation with filmmaker 𝗝𝗮𝗺𝗲𝘀 𝗡. 𝗞𝗶𝗲𝗻𝗶𝘁𝘇 𝗪𝗶𝗹𝗸𝗶𝗻𝘀.

Filmed entirely on an iPhone and scored with Bewersdorf’s own music, the film moves through the seasons in upstate New York, patiently documenting the rhythms of building, repairing, and living. James first encountered the film at @rockawayfilmfest, where it was described as “a refreshingly understated portrait of craftsmanship and the satisfaction that comes from a job well done.” It screened before James’ own feature. Reflecting on the lineup, he writes:

“While our movies couldn’t be more different in execution and worldly expectation… they share a feeling of having been made despite themselves… New Kingston, in particular, offers a vision (a documentary? an essay? an ode?) of the artist pausing during his day job, not to imagine the movie he could be making under more ideal conditions, but rather to continue making the movie already in the making, which is to say life.”

As UNDO continues to exist in a state of construction, we’re especially excited to share a film that dwells so thoughtfully within the rhythms and meaning of that process.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢
SAT, APR 25 — 7:30PM
𝗠𝗨𝗦𝗖𝗟𝗘 𝗕𝗘𝗔𝗖𝗛

We’re thrilled to host the New York premiere of 𝘔𝘜𝘚𝘊𝘓𝘌 𝘉𝘌𝘈𝘊𝘏 [ @musclebeachthemovie ], a lyrical, kinetic, and darkly comic journey into the heart of the American weird from filmmaker 𝗝𝗮𝗰𝗼𝗯 𝗛𝘂𝗿𝘄𝗶𝘁𝘇-𝗚𝗼𝗼𝗱𝗺𝗮𝗻 [ @h.g.jacob ]!

Moving between documentary and neo-noir fiction, the film follows weightlifting influencer Ike Catcher as a fictionalized version of himself — a bodybuilder searching Venice Beach for his missing best friend. Over the course of a single day, he’s pulled into a paranoid odyssey of tainted supplements, supernatural conspiracies, and naked greed, set against the sun-bleached spectacle of the last true American carnival.

Starring 𝗟𝗶𝗻𝗱𝘀𝗲𝘆 𝗡𝗼𝗿𝗺𝗶𝗻𝗴𝘁𝗼𝗻 [ @lindsey.bug ] (𝘈𝘯𝘰𝘳𝘢, 𝘏𝘢𝘤𝘬𝘴, 𝘛𝘩𝘦 𝘐𝘥𝘰𝘭), “King of Muscle Beach”𝗜𝗸𝗲 𝗖𝗮𝘁𝗰𝗵𝗲𝗿 [ @ikecatcher ], and cult icon 𝗞𝗶𝗿𝗸 𝗕𝗮𝗹𝘁𝘇 (𝘙𝘦𝘴𝘦𝘳𝘷𝘰𝘪𝘳 𝘋𝘰𝘨𝘴), 𝘔𝘜𝘚𝘊𝘓𝘌 𝘉𝘌𝘈𝘊𝘏 blends absurdity, satire, and existential dread into a surreal portrait of ambition, masculinity, and mythmaking.

The evening also includes Hurwitz-Goodman’s short documentary 𝘛𝘏𝘌 𝘋𝘌𝘍𝘌𝘕𝘋𝘌𝘙𝘚 𝘖𝘍 𝘔𝘜𝘚𝘊𝘓𝘌 𝘉𝘌𝘈𝘊𝘏 (2016), offering a glimpse into the legendary beachfront gym and its history, from Depression-era acrobats to bodybuilding folklore. Join us for the screening and a conversation with Jacob Hurwitz-Goodman and artist and writer 𝗝𝗼𝘀𝗵𝘂𝗮 𝗖𝗶𝘁𝗮𝗿𝗲𝗹𝗹𝗮 [ @joshuacitarella ] following the film.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢
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