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Fatwood

Fatwood

a collaborative campus in chapel hill - carrbo

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About FATWOOD


A collaborative workspace for independent media, art and design, FATWOOD hopes to cultivate a space for both making things, and for making things happen.

Founded in 2021 by Christopher Allen who spent his teenage years instigating events at The ArtsCenter in Carrboro and then his adulthood in Brooklyn growing UnionDocs from grassroots, the mission of FATWOOD is to support multi-disciplinary co-creation, craft and community on the local level, while inviting international inspiration and input.

The property has a mix of commercial and residential structures, with a camp-like feel. The studios now available are just the beginning. As FATWOOD develops over the next few years, we hope to make the entire lot resonate with creative, playful spaces.

fat·​wood | \ ˈfat-ˌwu̇d  \
chiefly Southern
:wood used for kindling, especially coniferous wood abounding in pitch


FATWOOD

fatwood.nc

This August you’re invited to SUNDAY SERIES ☀️📽️

Shows start at 6pm. 5:30 doors. 

In collaboration with @elenapetron @brennan_ok we’re hosting 2 screenings out at Fatwood - open to all!

@vic_guillem @johngarlandwinn are invited to present a selection of their films and influences across two August Sundays. 

~ August 2 : Programming ~

John and Victoria will share a selection of short films and excerpts that have impacted them in some way—whether the pieces influenced the way they think about film, resonate with their work, or just live in the same world. Together, following the program we’ll have a conversation that explores how these films impacted them and have shaped their creative practice.

~ August 23 : Originals ~

John and Victoria will screen their own work, and be in attendance to share about how and why they came to be. 

Come through!

poster design @hi___sammu
✨🛸 Cosmic Rays Film Festival is back THIS WEE ✨🛸 Cosmic Rays Film Festival is back THIS WEEK @chelseatheaternc | March 20–22! 🛸✨

We are so glad to be back supporting this singular festival — a platform that has quietly and persistently carved out something rare: a home for personal, experimental, and essayistic film that asks what cinema can actually be. 

Founded and directed by the visionary Sabine Gruffat [@mi55hi55] and Bill Brown [@billbrown4666], this year’s program brings together more than 30 formally inventive short films across 4 dynamic programs — many with filmmakers joining in person.

Plus we are bringing back: 

🌌🌾 FIELD STUDIES — this Saturday — a full afternoon at Fatwood with three artists from the festival: Nicky Tavares, Linda Scobie, and Magdalena Bermudez, each offering a deeper look at their practice, process, and the ideas behind their work. Presented in partnership with [ @uniondocs ], doors open at 10:30am. 

Free and open to all — link in bio to RSVP.

Then step aboard the [@cinebus.nc] for Charlotte Taylor’s installation, grab some BBQ, and head back to the Chelsea for closing night.

Passes and tickets at the link. Come through to expand your mind 👁️💫🛸👁️💫👁️
We’re closing out the year by gathering around t We’re closing out the year by gathering around the home as stage, ritual, and refuge 🌒

Tomorrow, Dec 14, join us @chelseatheaternc for Dani & Sheilah ReStack’s Feral Domestic Trilogy — three tender, mythic, deeply embodied films tracing queer desire, devotion, rupture, and family-making. This night is presented in partnership with The Chelsea Theater and @cosmicraysfilmfest 

Made between 2017–2021, these works blur art and everyday life, offering a radical vision of intimacy in a world under pressure.

We’ll also catch a sneak peek of a new short they are developing while here Stovepipe to the Sun that combines research into a 19th century separatist women’s community in Belton, Texas and speculative filmmaking, as the filmmakers cast themselves and their friends as the present-day descendants. 

“Being collaborators is like being life partners—full of compromise, and difficulty, and beauty. I think both of us see our collaboration as a domain that is somehow sacred; it allows us to recharge and feel committed to what we are together. The work we make is about the domestic, and I want to honor that as a site of creation and resistance; but I also don’t want to deny how difficult day to day life can be, and how it can be hard to see things other than as a long list of chores to be checked off. Artistic collaboration is our jumpcut to something else.” – Sheilah ReStack, Bomb Magazine

“To live a feral domestic life is an aspiration, a refusal to be domesticated by capitalism. It’s an idea of the home being a generative place rather than simply a place of respite. Let’s sing at the top of our lungs while doing dishes! Let’s chase each other and roar like lions in the dining room! Of course we have to make dentist appointments, get the car fixed, and pay taxes; but we are refusing to let capitalism infuse us with fear.” – Dani ReStack, Bomb Magazine

Join us and Dani & Sheilah for their embodied, bold, and feeling films and for a chance to meet the artists for a conversation following the program.

✨ Artists in attendance
🎞️ Sneak peek of a new speculative short
🎟️ Link in bio
✨ SAVE THE DATE — Sunday, Dec 14 ✨ We’re ✨ SAVE THE DATE — Sunday, Dec 14 ✨

We’re ecstatic to join hands with the @chelseatheaternc and pals @cosmicraysfilmfest to co-present a very special night and our last event of year! 

Dani & Sheilah ReStack: The Feral Domestic Trilogy
 
📍 The Chelsea Theater 
⏰ Sunday Dec. 14, 7:00 PM
🔗more info and full program at the link in bio

Mark your calendars for a rare, in-person screening with artist duo Dani & Sheilah ReStack, whose collaborative practice pushes the boundary between art and everyday life and who we are excited to host for a little end of year retreat over at FATWOOD. 

Across three films created between 2017–2021, the ReStacks entwine performance, fantasy, desire, tenderness, conflict, and ritual — transforming their shared home into both stage and collaborator.

╔══════════════════╗
      FROM THE ARTISTS
╚══════════════════╝
❝ Being collaborators is like being life partners—full of compromise, and difficulty, and beauty. I think both of us see our collaboration as a domain that is somehow sacred; it allows us to recharge and feel committed to what we are together. The work we make is about the domestic, and I want to honor that as a site of creation and resistance; but I also don’t want to deny how difficult day to day life can be… Artistic collaboration is our jumpcut to something else. ❞
 — @sheilah.restack , @bombmag 

❝ To live a feral domestic life is an aspiration, a refusal to be domesticated by capitalism. It’s an idea of the home being a generative place rather than simply a place of respite… Of course we have to make dentist appointments, get the car fixed, and pay taxes; but we are refusing to let capitalism infuse us with fear. ❞
 — @danirestack, @bombmag 

Join us and Dani & Sheilah for their embodied, bold, and feeling films, and stay for a post-screening conversation with the artists!

See you there!
Join us at FATWOOD this Saturday, May 17, a mind-b Join us at FATWOOD this Saturday, May 17, a mind-bending double-header of live-cinema reverberations and turbulent projection, resonant worlds and hallucinatory visions alchemized by GOVERNANCE & MSHR.
Experience the mesmerizing performance NETWORK ENTITY by MSHR (Brenna Murphy & Birch Cooper), where sculptural and sonic elements intertwine through real-time improvisation using custom interfaces and open-source tools.
Plus a rare in-person set by GOVERNANCE (Quran Karriem & Rebecca Uliasz), an experimental audio-visual noise project that challenges the conventions of knowledge production through performative interventions and multimedia publications.

📍 Location: Fatwood, 2300 Ivey Rd, Chapel Hill, NC (rural Carrboro side)
 🕢 Time: May 17, Doors 7:30 PM; Show 8:00 PM
 🎟️ Suggested Donation: $15
 🚗 Note: Limited parking; carpooling encouraged - RSVP!

Stick around after the performances for an informal hangout and connect with fellow enthusiasts.
Don’t miss this dynamic and immersive night where expanded signals, improvisation across noisy circuitry and cybernetic composition coalesce. Experience the forefront of experimental art in an intimate setting.
#MSHR #GOVERNANCE #LivePerformance #AudioVisualArt #durham #noise #carrboroevents #FatwoodStudio
✨Studio Space Available at Fatwood!✨ We’ve ✨Studio Space Available at Fatwood!✨

We’ve got a rare opening in THE ANNEX — our sweet, sun-powered private studio building at Fatwood. It’s a dreamy setup for artists, designers, and anyone looking for a space to make things happen.

What’s inside:
 — Two large private studios (~250 sqft each)
 — A walk-through common space or reception area
 — Private bathroom with a shower!
 — Storage closet with built-in shelving
 — Gorgeous reclaimed heart of pine floors from a local tobacco factory
 — Fast WiFi + hardwired ethernet
 — Central air, tons of outlets, covered porch, parking, 24/7 access
 — ALL utilities included
 — And yep — we’re now SOLAR POWERED ☀️⚡

We’ve been building this collaborative space for the past 3 years and are excited to welcome a new creative addition to the community. 

DM us to schedule a tour or for more info! Or click through the link in bio to schedule on our site. 

 #artstudio #mediamakerspace #officespaceforrent #artiststudio #ncartists #creativeworkspace #fatwoodstudios #chapelhill #carrboro #durhamnc
Next Thursday at 6:30pm @goodfolksonly will be bac Next Thursday at 6:30pm @goodfolksonly will be back at FATWOOD for our second iteration of
LANDMARKS, a live music series in partnership with @wxyc893 

Our second guest of the series is Joseph O’Connell of Elephant Micah, a folklorist and songwriter based here in the Triangle. Joe will be in conversation with @spencerggeorge of Good Folk for a live podcast taping where we will dig deeper into contemporary folklore and the folk music community here in North Carolina!

Tickets are donation-based (though no one will be turned away for lack of funds !).
Correction! *Sat 22! Excited to be co-presenting Correction! *Sat 22!

Excited to be co-presenting our first ever 🌾🌌 FIELD STUDIES 🌌🌾 in partnership with @cosmicraysfilmfest 

Passholders, practitioners, and enthusiasts alike, join us for an afternoon in between festival programs here at FATWOOD Studios— it’s a chance for in-depth presentation from two of the artists featured at this year’s Cosmic Rays Film Festival on Saturday March 22nd*** 

From 2-5pm, we’ll host two sessions on artist practice and the world of experimental film: one with A.S.M Kobayashi [ @asmkobayashi ] and another with Rebecca Barten / David Sherman [  @david.sherman.560 ]from the legendary Total Mobile Home Microcinema, offering a chance to get to know the artist’s work in greater depth, explore the context, intentions and methodologies a bit more and have a conversation about making.

……

First up at 2PM, A.S.M Kobayashi, an award-winning interdisciplinary artist whose hybrid, interactive work mixes documentary and fiction through video, performance, installation and illustration will share a bit about her extensive research process and experience working with found material and bringing hidden narratives to life. She will discuss her film FILE NO. 2304 featured in Festival Program 1, and also will share her earlier video work alongside a short excerpt of her critically acclaimed performance, Say Something Bunny!, which is based on found audio recordings, and was heralded as “The best new theater experience in town” by Vogue in 2017.

Then at 3:45PM, Rebecca Barten, whose film is featured in Program 5, will be joined by her longtime partner and collaborator David Sherman to share how the microcinema as we know it today began (and was named by them in 1994!), when these filmmakers and “accidental neologists,” started operating the legendary Total Mobile Home microCINEMA illegally out of the basement of their rented San Francisco apartment. 

Come through for an afternoon that hopes to take that possibility and intention to heart, and learn a bit more about this legacy that has allowed the kinds of films that Cosmic Rays’ celebrates to continue to thrive, transform and activate audiences big and small

✨✨✨
✨ 🛸 Cosmic Rays Film Festival is back next we ✨ 🛸 Cosmic Rays Film Festival is back next week @chelseatheaternc | March 21-23! 🛸✨

We couldn’t be happier to be back again to support this remarkable festival that has carved out a special platform for personal, experimental and essayistic films from around the world that celebrate and expand our ideas of what a film is and what it can be. 

Join us for 5 dynamic programs organized by the extraordinary founders and directors Sabine Gruffat [ @mi55hi55 ] and Bill Brown [ @billbrown4666 ] 

They offer a plethora of engagement and inspiration with more than 30 formally inventive short films to dazzle us all with many filmmakers joining in person. 

We’ll be hosting Friday night’s late night after party for all passholders  with the infamous @rogerwarrenbeebe karaoke 🎤 @ FATWOOD

And then, Saturday afternoon a last minute experimental addition to complement the program, an afternoon workshop hosted with @uniondocs called 🌌🌾 FIELD STUDIES with three of the guest artists of the festival sharing a bit on their practice, ideas and history from 2- 5pm.
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About UNIONDOCS


UnionDocs Center for Documentary Art (UNDO) presents, produces, publishes, and educates. We bring together a diverse community of activist artists, experimental media-makers, dedicated journalists, big thinkers, and local partners on a search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future.

Each year, we organize over 100 public events and distribute 8 online programs, showcasing powerful works of nonfiction and curating rigorous conversation; we design 28 workshops on the most quickly evolving disciplines and strongest traditions of documentary; we host 36 artists in collaborative laboratory environments to develop original projects; we pair 4 of the top experimental documentary artists with 4 top critical writers in a fellowship to research a big thorny question.

UnionDocs enthusiastically pursues this work because we believe that documentary art, when paired with thoughtful context and open debate, is an invaluable tool for understanding the complexities of contemporary life and creating a more compassionate, engaged, and integrated society.


UnionDocs

uniondocs

𝗧𝗢𝗡𝗜𝗚𝗛𝗧, 𝗔𝗨𝗚 𝟮𝟭! Join us at DCTV for 𝗧𝗢 𝗨𝗦𝗘 𝗔 𝗠𝗢𝗨𝗡𝗧𝗔𝗜𝗡, Casey Carter’s [ @_c_c_iii_ ] haunting and visually stunning documentary tracing America’s decades-long search for somewhere to store its nuclear waste. A week long run starts at @dctvny! 

Moving through the six sites identified by the U.S. Department of Energy for long-term nuclear waste storage in 1982, To Use a Mountain brings physics, geology, politics, and intimate encounters with the people who live among these landscapes together in a gripping radioactive travelogue.

We’re especially thrilled to co-present this one because the film has deep roots at UnionDocs! Director 𝗖𝗮𝘀𝗲𝘆 𝗖𝗮𝗿𝘁𝗲𝗿 and producer 𝗖𝗼𝗹𝗹𝗲𝗲𝗻 𝗖𝗮𝘀𝘀𝗶𝗻𝗴𝗵𝗮𝗺 [ @colleencassing ] first met through the UnionDocs Collaborative Studio, alongside collaborator 𝗠𝗮𝗴𝗱𝗮𝗹𝗲𝗻𝗮 𝗢𝗿𝗲𝗹𝗹𝗮𝗻𝗮 [ @oremagdalena ] who has been part of the project from the start and created the film’s animation. UnionDocs also served as the film’s fiscal sponsor, so it’s incredibly exciting to see the project out in the world and meeting audiences!

Fresh from its premiere at Visions du Réel, where it received a Special Jury Award, To Use a Mountain lands in NYC tonight.

📍 DCTV
🗓 AUG 21
⏰ 7PM

See you there!
𝗦𝗘𝗣𝗧 𝟮–𝟭𝟯, Join us for 𝗪 𝗦𝗘𝗣𝗧 𝟮–𝟭𝟯, Join us for 𝗪𝗜𝗦𝗘𝗠𝗔𝗡’𝗦 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞!

Meet visiting guest 𝗠𝗮𝗿𝗶𝗮𝗻𝗮 𝗠𝗼𝗴𝗶𝗹𝗲𝘃𝗶𝗰𝗵! Mariana is a writer and historian of architecture and urbanism, editor in chief of @urbanomnibus and author of The Invention of Public Space: Designing for Inclusion in Lindsay’s New York.

Mariana will join us for our closing conversation, 𝗣𝗨𝗕𝗟𝗜𝗖 𝗩𝗦. 𝗣𝗥𝗜𝗩𝗔𝗧𝗘, alongside 𝗚𝗲𝗻𝗲𝘃𝗶𝗲𝘃𝗲 𝗬𝘂𝗲 and 𝗞. 𝗔𝘂𝘀𝘁𝗶𝗻 𝗖𝗼𝗹𝗹𝗶𝗻𝘀, to consider the public and private forces that shaped Wiseman’s New York films, and the institutions, systems, and civic spaces they bring into view.

Her recent @nplusonemag essay, 𝘓𝘖𝘖𝘒𝘐𝘕𝘎 𝘓𝘐𝘒𝘌 𝘈 𝘚𝘛𝘈𝘛𝘌: 𝘖𝘕 𝘍𝘙𝘌𝘋𝘌𝘙𝘐𝘊𝘒 𝘞𝘐𝘚𝘌𝘔𝘈𝘕, offers a compelling way into these questions. Rather than approaching the people in Wiseman’s films as protagonists moving through conventional personal journeys, Mariana considers how his films reveal individuals through the larger social structures in which they live, and how, as viewers, we become implicated in those structures too.

SWIPE through to read some excerpts from Mariana on Wiseman’s way of seeing!

Across ten days, 𝗪𝗜𝗦𝗘𝗠𝗔𝗡’𝗦 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞 will bring together screenings of all nine of Wiseman’s New York films, seminars, conversations, and field trips that move between the films and the city they document. Led by acclaimed film scholar 𝗚𝗲𝗻𝗲𝘃𝗶𝗲𝘃𝗲 𝗬𝘂𝗲, we’ll ask: Who gets to shape a city? How do institutions structure everyday life? Where does the public end and the private begin?

Mariana joins an incredible group of visiting filmmakers, critics, writers, scholars, and community members including 𝗝𝗼𝗵𝗻 𝗪𝗶𝗹𝘀𝗼𝗻, 𝗔𝗻𝗱𝗿𝗲́ 𝗥𝗼𝗯𝗲𝗿𝘁 𝗟𝗲𝗲, 𝗡𝗲𝗹𝗹𝗶𝗲 𝗞𝗹𝘂𝘇, 𝗖𝗼𝘂𝗿𝘁𝗻𝗲𝘆 𝗦𝘁𝗲𝗽𝗵𝗲𝗻𝘀, 𝗦𝗵𝗮𝘄𝗻 𝗚𝗹𝗶𝗻𝗶𝘀, 𝗔𝗿𝗹𝗶𝗻 𝗚𝗼𝗹𝗱𝗲𝗻, 𝗡𝗶𝗹𝗶𝘁𝗮 𝗩𝗮𝗰𝗵𝗮𝗻𝗶, 𝗘𝘀𝘁𝗵𝗲𝗿 𝗥𝗼𝘀𝗲𝗻𝗳𝗶𝗲𝗹𝗱, 𝗡𝗶𝗰𝗸 𝗙𝗿𝗮𝗰𝗰𝗮𝗿𝗼 and more.

Join us for this singular opportunity to watch together, talk together, and look again at New York through Wiseman’s films. 𝗥𝗘𝗚𝗜𝗦𝗧𝗘𝗥 🔗 𝗜𝗡 𝗕𝗜𝗢
𝗙𝗥𝗜, 𝗢𝗖𝗧 𝟮 — 𝟳:𝟯𝟬𝗽𝗺

Join us for a special screening and conversation with essay filmmaker 𝗖𝗵𝗮𝗿𝗹𝗶𝗲 𝗦𝗵𝗮𝗰𝗸𝗹𝗲𝘁𝗼𝗻 [@charlie.shackleton], kicking off our upcoming workshop weekend!

We’ll be screening two of Shackleton’s recent films: 𝘊𝘈𝘔𝘌𝘙𝘈 𝘛𝘌𝘚𝘛 (𝘒𝘐𝘕𝘎 𝘊𝘈𝘋𝘉𝘜𝘙𝘠), a documentary readymade that turns a routine camera test into an investigation of a mysterious mid-century Cadbury’s commercial preserved in family lore, alongside 𝘡𝘖𝘋𝘐𝘈𝘊 𝘒𝘐𝘓𝘓𝘌𝘙 𝘗𝘙𝘖𝘑𝘌𝘊𝘛, his ingenious account of the true crime documentary he tried and failed to make.

Winner of the NEXT Innovator Award at the 2025 Sundance Film Festival, 𝘡𝘖𝘋𝘐𝘈𝘊 𝘒𝘐𝘓𝘓𝘌𝘙 𝘗𝘙𝘖𝘑𝘌𝘊𝘛 reconstructs Shackleton’s unrealized film beat by beat, using vacant Bay Area landscapes, stylized re-enactments and his own wry narration to turn an abandoned project into a playful critique of true crime and its familiar conventions.

Following the screening, Shackleton will join us for a conversation about first-person filmmaking, documentary persona, and what becomes possible when a filmmaker’s own perspective and personality become part of the method.

Plus, join us for the full three-day workshop, 𝗢𝗖𝗧 𝟮–𝟰: 𝗧𝗘𝗟𝗟 𝗗𝗢𝗡’𝗧 𝗦𝗛𝗢𝗪: 𝗔𝗗𝗩𝗘𝗡𝗧𝗨𝗥𝗘𝗦 𝗜𝗡 𝗙𝗜𝗥𝗦𝗧-𝗣𝗘𝗥𝗦𝗢𝗡 𝗙𝗜𝗟𝗠𝗠𝗔𝗞𝗜𝗡𝗚

Led by 𝗖𝗵𝗮𝗿𝗹𝗶𝗲 𝗦𝗵𝗮𝗰𝗸𝗹𝗲𝘁𝗼𝗻, the workshop turns the old documentary mantra “show don’t tell” on its head to ask how a filmmaker’s personality, perspective, positionality and biases can become creative tools. Across screenings, discussion and experimentation, we’ll explore the possibilities of first-person cinema and what an unmistakable authorial voice can bring to nonfiction filmmaking.

Shackleton will be joined by an incredible lineup of guest filmmakers: 𝗔𝗹𝗮𝗻 𝗕𝗲𝗿𝗹𝗶𝗻𝗲𝗿 and 𝗝𝗼𝗮𝗻𝗻𝗮 𝗔𝗿𝗻𝗼𝘄 [@arnowjo]!

Catch the Early Bird Registration by SEP 22 and get $55 off! 𝗥𝗘𝗚𝗜𝗦𝗧𝗘𝗥 🔗 𝗜𝗡 𝗕𝗜𝗢
New workshop alert! 𝗧𝗘𝗟𝗟 𝗗𝗢𝗡’𝗧 𝗦𝗛𝗢𝗪: 𝗔𝗗𝗩𝗘𝗡𝗧𝗨𝗥𝗘𝗦 𝗜𝗡 𝗙𝗜𝗥𝗦𝗧-𝗣𝗘𝗥𝗦𝗢𝗡 𝗙𝗜𝗟𝗠𝗠𝗔𝗞𝗜𝗡𝗚

𝗢𝗖𝗧 𝟮–𝟰, join essay filmmaker 𝗖𝗵𝗮𝗿𝗹𝗶𝗲 𝗦𝗵𝗮𝗰𝗸𝗹𝗲𝘁𝗼𝗻 [ @charlie.shackleton ] for a three-day workshop turning the old documentary mantra “show don’t tell” on its head, and exploring what happens when filmmakers embrace their own personality, perspective, positionality and biases as creative tools.

How might a subjective point of view complicate a film rather than close it down? What can a filmmaker’s sense of humor, cadence of speech, on-screen persona, or performance of the filmmaking process itself reveal about the reality being portrayed?

Across the weekend, we’ll dig into the rich possibilities of first-person cinema, looking beyond films that simply center the filmmaker as subject to consider how personal presence can become part of a film’s methodology. Through screenings, discussion and experimentation, participants will explore subjectivity as a framework for nonfiction, and consider how an unmistakable authorial voice can invite audiences to actively question a film’s authority.

Shackleton will be joined by an incredible lineup of guest filmmakers, each with their own distinctive approach to putting the personal to work on screen: 𝗔𝗹𝗮𝗻 𝗕𝗲𝗿𝗹𝗶𝗻𝗲𝗿 will discuss the deep entanglement of his personal life and creative practice, and 𝗝𝗼𝗮𝗻𝗻𝗮 𝗔𝗿𝗻𝗼𝘄 [ @arnowjo ] will share how she draws on personal experience to shape her fictional works.

Participants will also have the opportunity to experiment with bringing more of themselves into their own filmmaking, and to share a work-in-progress for constructive group discussion.

Early Bird Registration ends on 𝗦𝗘𝗣𝗧 𝟮𝟮 — register early to get $55 off! 𝗥𝗘𝗚𝗜𝗦𝗧𝗘𝗥 🔗 𝗜𝗡 𝗕𝗜𝗢
Join us in Lisbon this October! 𝗢𝗣𝗘𝗡 𝗖𝗔𝗟𝗟 for the @doclisboa.iff 𝗙𝗶𝗹𝗺𝗺𝗮𝗸𝗶𝗻𝗴 𝗦𝗲𝗺𝗶𝗻𝗮𝗿! Apply by SEP 10!

We’re delighted to come together once again with our friends at @doclisboa.iff for the 8th edition, co-designing a four-day engagement that invites participants to dive deep into this year’s festival program. 

Running OCT 16 — 20, we’ll explore radical filmmaking practices, share insights, raise questions, and build a thoughtful community around documentary art. 

The seminar brings together eight artists and writers who are soon to be announced for The UNDO Fellowship to share the questions, methods, and provocations shaping their current work. The sessions unfold as a collective space for research, discussion, and exchange, inviting participants to think alongside the fellows as they explore radical approaches to nonfiction practice.

Hear from a 2025 Seminar Participant! —

 “What a valuable space for sensitive and rigorous discussion. Our group had participants from different backgrounds and expertise, from filmmakers to film enthusiasts, and each persons contributions were heard, valued, and challenged at times, with a level of skill and respect that is rare.” 

With only 30 spots available, don’t miss this chance to join an intimate and inspiring exchange of perspectives. 

👉 𝗟𝗘𝗔𝗥𝗡 𝗠𝗢𝗥𝗘 + 𝗔𝗣𝗣𝗟𝗬 through the 🔗 in bio!
We’ve assembled quite a crew to take on 𝗪𝗜 We’ve assembled quite a crew to take on 𝗪𝗜𝗦𝗘𝗠𝗔𝗡’𝗦 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞. 👀

For our 10-day immersion into Frederick Wiseman’s extraordinary New York films, we’ve invited an amazing group of filmmakers, writers, critics, scholars and fellow observers to help us look closely at the work and the city he returned to again and again.

Led by film scholar 𝗚𝗘𝗡𝗘𝗩𝗜𝗘𝗩𝗘 𝗬𝗨𝗘 [@genevieveyue], we’ll be joined across ten days by 𝗦𝗛𝗔𝗪𝗡 𝗚𝗟𝗜𝗡𝗜𝗦 [@mrglinis], 𝗔𝗥𝗟𝗜𝗡 𝗚𝗢𝗟𝗗𝗘𝗡 [@dffoakland], 𝗞. 𝗔𝗨𝗦𝗧𝗜𝗡 𝗖𝗢𝗟𝗟𝗜𝗡𝗦, 𝗡𝗘𝗟𝗟𝗜𝗘 𝗞𝗟𝗨𝗭 [ @kluzkluz ], 𝗔𝗡𝗗𝗥𝗘́ 𝗥𝗢𝗕𝗘𝗥𝗧 𝗟𝗘𝗘 [ @andrerobertlee89 ], 𝗖𝗢𝗨𝗥𝗧𝗡𝗘𝗬 𝗦𝗧𝗘𝗣𝗛𝗘𝗡𝗦 [ @courtcolt ], 𝗝𝗢𝗛𝗡 𝗪𝗜𝗟𝗦𝗢𝗡 [@peepingjoan], 𝗡𝗜𝗖𝗞 𝗙𝗥𝗔𝗖𝗖𝗔𝗥𝗢, 𝗠𝗔𝗥𝗜𝗔𝗡𝗔 𝗠𝗢𝗚𝗜𝗟𝗘𝗩𝗜𝗖𝗛, 𝗟𝗘𝗢 𝗚𝗢𝗟𝗗𝗦𝗠𝗜𝗧𝗛 [ @leo.goldsmith ], 𝗡𝗜𝗟𝗜𝗧𝗔 𝗩𝗔𝗖𝗛𝗔𝗡𝗜 [ @vachaninilita ] & 𝗘𝗦𝗧𝗛𝗘𝗥 𝗥𝗢𝗦𝗘𝗡𝗙𝗜𝗘𝗟𝗗 [ @thecapybaroness ].

They’re bringing some pretty special relationships to the work too. We’ll hear from the hosts of a podcast dedicated to watching every Wiseman film, a filmmaker who worked at the very school Wiseman documented in 𝘏𝘪𝘨𝘩 𝘚𝘤𝘩𝘰𝘰𝘭 𝘐𝘐, filmmakers whose own practices have been deeply influenced and inspired by Wiseman’s work, and writers and scholars thinking deeply about Wiseman, documentary, institutions and New York’s public life.

Across seminars, conversations and excursions around the city, this crew will help us dig into not only what Wiseman observed, but how he observed it, what his methods make possible, and what nearly fifty years of these films can tell us about New York.

Come spend ten days watching, walking, talking & thinking with us!

𝗪𝗜𝗦𝗘𝗠𝗔𝗡’𝗦 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞
🗓 SEPT 2–13
📍 Across New York City
🎟 Full Lab + Week Passes + Individual Events

𝗥𝗘𝗚𝗜𝗦𝗧𝗘𝗥 🔗 𝗜𝗡 𝗕𝗜𝗢
𝗦𝗘𝗣𝗧 𝟭𝟯, join us at UnionDocs fo 𝗦𝗘𝗣𝗧 𝟭𝟯, join us at UnionDocs for 𝗣𝗨𝗕𝗟𝗜𝗖 𝗩𝗦. 𝗣𝗥𝗜𝗩𝗔𝗧𝗘, the closing panel of 𝗪𝗜𝗦𝗘𝗠𝗔𝗡’𝗦 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞.

Frederick Wiseman’s films are often understood as studies of institutions, but across his New York work, the boundaries between public and private life are constantly being drawn, crossed, and renegotiated.

For our closing conversation, we’re looking beyond Wiseman’s celebrated observational method to the structures behind what we see on screen, and asking what the relationships between funding, access, ownership and public responsibility can tell us about the changing idea of public life in New York.

📍 UnionDocs, 352 Onderdonk Ave, Ridgewood
🗓 Sept 13
🚪 Doors 3:30PM / Program 4PM
🎟 $20

𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢

Who better to close out 𝗪𝗜𝗦𝗘𝗠𝗔𝗡’𝗦 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞 than this brilliant group?

Workshop lead 𝗚𝗲𝗻𝗲𝘃𝗶𝗲𝘃𝗲 𝗬𝘂𝗲 [@genevieveyue] will be joined by writer and historian of architecture and urbanism 𝗠𝗮𝗿𝗶𝗮𝗻𝗮 𝗠𝗼𝗴𝗶𝗹𝗲𝘃𝗶𝗰𝗵 of @urbanomnibus, critic and programmer 𝗞. 𝗔𝘂𝘀𝘁𝗶𝗻 𝗖𝗼𝗹𝗹𝗶𝗻𝘀, and filmmaker, writer and professor 𝗡𝗶𝗹𝗶𝘁𝗮 𝗩𝗮𝗰𝗵𝗮𝗻𝗶 [ @vachaninilita ].

Together, they’ll bring perspectives from film, criticism, architecture, urban history and filmmaking to Wiseman’s New York films, looking at the networks of money, access, ownership and public responsibility running through them.

Join us 𝗦𝗘𝗣𝗧 𝟭𝟯 at UnionDocs!

𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢

What does a public institution actually look like in practice?

In 𝘊𝘦𝘯𝘵𝘳𝘢𝘭 𝘗𝘢𝘳𝘬, Wiseman turns his attention to a space that belongs, at least in theory, to everyone. Decades later, 𝘌𝘹 𝘓𝘪𝘣𝘳𝘪𝘴 follows another cornerstone of New York public life, the library, as it negotiates its many responsibilities to the city and the people who use it.

Seen alongside one another, the films offer two fascinating portraits of what “public” can mean, while also revealing the less visible systems of money, management, partnership and decision-making required to keep these spaces going.

They’re a great place to begin thinking through the questions at the heart of our closing panel, 𝗣𝗨𝗕𝗟𝗜𝗖 𝗩𝗦. 𝗣𝗥𝗜𝗩𝗔𝗧𝗘.
🚨 𝗢𝗣𝗘𝗡 𝗖𝗔𝗟𝗟 for the @do 🚨 𝗢𝗣𝗘𝗡 𝗖𝗔𝗟𝗟 for the @doclisboa.iff 𝗙𝗶𝗹𝗺𝗺𝗮𝗸𝗶𝗻𝗴 𝗦𝗲𝗺𝗶𝗻𝗮𝗿, join us in Lisbon! Apply by SEP 10!

We’re delighted to come together once again with our friends at @doclisboa.iff for the 8th edition, co-designing a four-day engagement that invites participants to dive deep into this year’s festival program. 

Running OCT 16 — 20, we’ll explore radical filmmaking practices, share insights, raise questions, and build a thoughtful community around documentary art. 

The seminar brings together eight artists and writers who are soon to be announced for The UNDO Fellowship to share the questions, methods, and provocations shaping their current work. The sessions unfold as a collective space for research, discussion, and exchange, inviting participants to think alongside the fellows as they explore radical approaches to nonfiction practice.

Hear from a 2025 Seminar Participant! —

 “What a valuable space for sensitive and rigorous discussion. Our group had participants from different backgrounds and expertise, from filmmakers to film enthusiasts, and each persons contributions were heard, valued, and challenged at times, with a level of skill and respect that is rare.” 

With only 30 spots available, don’t miss this chance to join an intimate and inspiring exchange of perspectives. 

👉 𝗟𝗘𝗔𝗥𝗡 𝗠𝗢𝗥𝗘 + 𝗔𝗣𝗣𝗟𝗬 through the 🔗 in bio!
What can nearly fifty years of Frederick Wiseman’s films tell us about our city, one in constant flux?

𝗦𝗘𝗣𝗧 𝟯, join us at UnionDocs for 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞 𝗜𝗡 𝗧𝗥𝗔𝗡𝗦𝗜𝗧𝗜𝗢𝗡, the opening panel of 𝗪𝗜𝗦𝗘𝗠𝗔𝗡’𝗦 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞,.

Across his six-decade career, Wiseman returned to New York more than any other place, making nine films that observe the city through its institutions, neighborhoods, and civic life over time. From the strained public systems of 𝘏𝘰𝘴𝘱𝘪𝘵𝘢𝘭 and 𝘞𝘦𝘭𝘧𝘢𝘳𝘦, to a changing neighborhood in 𝘐𝘯 𝘑𝘢𝘤𝘬𝘴𝘰𝘯 𝘏𝘦𝘪𝘨𝘩𝘵𝘴 and a public library redefining its purpose in 𝘌𝘹 𝘓𝘪𝘣𝘳𝘪𝘴, these films register nearly fifty years of a city continually remaking itself. We’ve assembled a special group of thinkers for this conversation. Our lead scholar and facilitator  for the whole program 𝗚𝗲𝗻𝗲𝘃𝗶𝗲𝘃𝗲 𝗬𝘂𝗲 [@genevieveyue] will be joined by cohosts of the Wiseman podcast: 𝗔𝗿𝗹𝗶𝗻 𝗚𝗼𝗹𝗱𝗲𝗻 [@dffoakland] & 𝗦𝗵𝗮𝘄𝗻 𝗚𝗹𝗶𝗻𝗶𝘀 [@mrglinis] who helped inspire this entire engagement and filmmaker and master chronicler of NYCs urban spaces and singular quirks, 
 𝗝𝗼𝗵𝗻 𝗪𝗶𝗹𝘀𝗼𝗻 [@peepingjoan ] will be in conversation too!

Together, we’ll ask what drew Wiseman back to New York again and again, and what his singular approach to observation allowed him to capture as the city changed around him.

Come kick off ten days of screenings, seminars, field trips & conversations with a lively discussion about Wiseman’s New York!

📍 UnionDocs, 352 Onderdonk Ave, Ridgewood
🗓 Sept 3
🚪 Doors 6PM / Program 6:30PM
🎟 $20

𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢
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